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| January 2010
What’s Happening at Graphic Classics • Best wishes for the new year from Graphic Classics. • Due to the injury of one artist and an illness in the family of another, we have reluctantly decided to reschedule the release of Western Classics: Graphic Classics Volume Twenty. The book will now be available in February 2011. Most of the artwork is now finished, and we can promise you it will be worth the wait.
• In the meantime, we remain busy here at GC, and June 2010 will see the release of the greatly revised fourth edition of Graphic Classics: Edgar Allan Poe. The third edition of this, our most popular volume, has been sold out for several months (though you may still be able to find it from some stores and online dealers,) and we are happy to return the book to print in a revised and improved edition, with 40 new pages.
New to the book will be Poe’s eerie “The Pit and the Pendulum”, adapted by new scripter David Hontiveros, and illustrated by GC favorite Carlo Vergara, and “William Wilson”, adapted by Rafael Nieves and Dan Dougherty.
Returning will be J.B. Bonivert’s unique adaptation of
Also included is Gerry Alanguilan’s chilling adaptation of “The Black Cat”, moving over from the soon-to-be-out-of-print Graphic Classics: Special Edition. And returning from the third edition are “The Tell-Tale Heart” by Rick Geary, “The Imp of the Perverse” by Lance Tooks, “The Premature Burial” by Joe Ollmann,“The Cask of Amontillado” by Pedro Lopez, “The Fall of the House of Usher” by Matt Howarth, and “Never Bet the Devil Yor Head” by Milton Knight. With a new cover by Malaysian artist Leong Wan Kok. |
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Now On Sale
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Coming February 2011
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• Reviews of Graphic Classics: Louisa May Alcott
• from Library Journal, November 2009, review by Martha Cornog
“Alcott is best remembered for Little Women, but she also wrote florid gothic tales. Somewhat sappy by modern tastes, her work gains verve through these lively, full-color renderings. Certainly in Trina Robbins’ skillful version, Little Women’s pretty Jo March comes through as a modern gal ahead of her time, seeking a writing career and choosing an older, scholarly man instead of the lad Laurie. Of the gothics, the standout is “A Whisper in the Dark.” Here, Arnold Arre’s art shines with style and coloring.” • from Comics Waiting Room, December 2009, • from Blogcritics, December 2009, review by Bill Sherman • Recent reviews of | ||||||||||||||||||||